MartikaProject title: Using food to make art: Assessing mood, affect, and hunger change

During early childhood, Martika fondly recalls spending an afternoon painting with her mother. She joyfully mixed and layered paints until all the colours blended into a muddy puddle that stained the front porch forever. Martika cherishes this memory as the moment she discovered the wonder of art. 

From then on, her creative journey continued. Martika learnt textile arts from her grandmother, graphic drawing from her father, and together with her brothers constructed all sorts of radical skate ramps and obstacle courses. With friends, she embarked on literary adventures, penning and illustrating countless storybooks. Martika initially embarked on a career in environmental engineering but ultimately followed her passion for mental health work, working in the field for the past few years. On placement, Martika enjoys facilitating group art therapy sessions and witnessing participants find connection with their art, their inner self, and with others. 

This year, Martika investigated the use food as an art resource. It's an activity that some people may recall doing in childhood, where macaroni became jewellery, vegetables were carved into stamps, and cabbage used to tie dye. Little research was discoverable on the experience of interacting with food in an artistic way without consuming it, so Martika chose to study this gap in knowledge. She designed her project to assess the impact of making art with foods on participant mood, affect, and hunger. Insights were also gained on what the experience was like and what thoughts came to mind for participants during the process. This research may offer insights for practitioners supporting clients to explore their relationship with food and food cues. 

When art-making, Martika prefers to focus on the process rather than the product. Her guiding principle is not the image she aims to produce, but rather the sensations and movements the chosen materials support her to express. Because of this, she likes to think of the art materials as allies to her creative process and selects mediums based on the sensory experience she desires. Throughout her project, Martika produced several artworks to chronicle the experience of conducting research. She used a variety of materials, adapting her choice to suit the evolving needs of her creative expression.


The Journey Ahead
The Journey Ahead
Oil pastels, watercolour, and chalk on cardboard
69cm x 90cm
This artwork followed the narrative process of The Hero’s Journey. It begins with the Hero lost at sea, learning to move with the waves instead of against them, seeking mentorship, finding direction, and succeeding in their quest.   

 

Contemplation
Contemplation
Acrylic paint and oil pastels
60cm x 42cm
This piece was completed while learning the Expressive Therapies Continuum. Studying the emotive movement of paint and pastels sparked my curiosity for how other lesser used art materials influence the user, such as art-making with food items.

 

Female Vikings
Female Vikings
Acrylic paint and oil pastels
60cm x 42cm
This art celebrates the bravery and craftsmanship of the female Vikings who journeyed through the unknown to discover new lands. It served as a reminder to persevere with my research topic although I felt unsure of how fruitful it would be.

 

Self Portrait of a Grumpy Student
Self Portrait of a Grumpy Student
Acrylic paint
21cm x 21cm
Planning the project proposal and applying for ethics approval was stressful, frustrating, and fatiguing. Plans had to be re-worked over and over and each change resulted in a ripple effect of more changes. I became tired and grizzly.  

 

A Faithful Companion
A Faithful Companion
Acrylic paint over a photo print
9.5cm x 14cm
Conducting research meant many late nights of study but I was never alone. Kenny the cat was always close by to help tame my waves of worry.   

 

Harvest Time
Harvest Time
Clay and Acrylic paint
10.5cm x 11.5cm x 2.5cm
After gaining ethics approval, I quickly recruited participants and began test sessions. As I started collecting data, I felt inclined to create a holding vessel to celebrate reaching this exciting and bountiful stage of the research project.

 

The Many Moments of Time
The Many Moments of Time
Mixed Yarns and a clock mechanism
62cm x 44.5cm
The flowers represent the many moments of time it took to complete my research. The web they lay on signifies the plan I wove in semester one that guided me through semester two. Although this research project nears completion, curiosity continues to bloom.